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	<title>MEM &#187; Exhibitions_English</title>
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		<title>Chiyuki Sakagami &#8220;Scriptures from the Birds&#8221;</title>
		<link>http://mem-inc.jp/2012/05/02/120512_sakagami_en/</link>
		<comments>http://mem-inc.jp/2012/05/02/120512_sakagami_en/#comments</comments>
		<pubDate>Wed, 02 May 2012 08:26:27 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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<h2>Chiyuki Sakagami &#8220;Scriptures from the Birds&#8221;</h2>
<p><!--MainRightColumn--><br />
Dates: May 12 &#8211; June 10, 2012<br />
Venue: MEM <a href="http://mem-inc.jp/about-mem_e/">map</a><br />
open hours：12:00-20:00　closed on Mondays<br />
tel. 03-6459-3205</p>
<p><strong>opening reception　May 12, 18:00-</strong></p>
<p>　&#8221;Scriptures from the Birds&#8221; is a sequel to &#8220;Naturalis Historia&#8221; that she made with blue ink on paper last year.<br />
Sakagami pays an homage to the birds, the creature she loves the most on the earth.  There are more than 40 drawings at the show.
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		<title>Yoshio Kitayama &#8220;Picture of living/dying&#8221;</title>
		<link>http://mem-inc.jp/2012/03/18/120317_kitayama_en/</link>
		<comments>http://mem-inc.jp/2012/03/18/120317_kitayama_en/#comments</comments>
		<pubDate>Sun, 18 Mar 2012 10:11:37 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Exhibitions_English]]></category>

		<guid isPermaLink="false">http://mem-inc.jp/?p=2830</guid>
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<h2>Yoshio Kitayama <em>&#8220;Picture of living/dying&#8221;</em></h2>
<p><!--MainRightColumn--><br />
Dates: March 17 &#8211; April 15, 2012<br />
Venue: MEM <a href="http://mem-inc.jp/about-mem_e/">map</a><br />
open hours：12:00-20:00　closed on Mondays<br />
tel. 03-6459-3205</p>
<p>MEM presents the solo exhibition Picture of living/dying by Yoshio Kitayama.  The artist first started creating large-scale monochrome ink paintings on Japanese paper in 1997, which are categorized into two types: “Icon” and “Universe”.  “Icon” ink paintings show enlarged human figures drawn from clay dolls the artist made himself.  The resulting composition brims with layers of figures, and suggests not only the interplay among individuals in human history, but also between nations, races and societies.  In the “Universe” series, the accumulation of the artist’s varied mark making in black ink creates a series of stunning depictions of the universe, which could be compared to the Mandala image in Buddhism.  The ink paintings contain both the cosmos and—as Carl Jung commented on Mandalas— “a representation of the unconscious self.” </p>
<p>The central piece of the exhibition, History is written by the dead, presents a river of the dead streaming diagonally across the paper. In the right hand corner hundreds of figures disappear into the distance as they are blown from the river into the heavens.  A group of the artist’s own ancestors stand at the edge of the frame where they witness the relentless cycling of life.</p>
<p>The picture that was taken down features a prominent Christ-like figure, though in Kitayama’s rendition he is female.  The piece is a result of two stages of completion; Kitayama filled the background with a cascade of figures after he presented the Christ-figure in an empty field as a finished piece.  Kitayama’s art practice often questions conventions in an artists’ process.</p>
<p>The exhibition’s title piece, Picture of living/dying, challenges the assumption that life and death are separate states of existence.  Eroticism combines with faces of the living and dying multitudes in a transcendent celebration of the coexistence and simultaneous occurrence of life and death.<br />
Kitayama’s painstaking and meticulous ink painting process underpin the monumental scale and power of his works.  His expansive ink paintings invite the viewer to share, if but for a moment, a perspective broad enough to encompass the universe, the unknown and the entire scope and nature of human existence.</p>
<p>Yoshio Kitayama was born in 1948 in Shiga Prefecture, Japan.  His sculptures and paintings have been presented internationally in many institutions and venues including the 40th Venezia Biennale, the Carnegie International in Pittsburgh, the Asian Art Biennale, Bangladesh and the Triennale India.  He lives and works in Kyoto.</p>
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		<title>Maki Toshima &#8220;Meta.Morphos&#8221;</title>
		<link>http://mem-inc.jp/2012/01/31/toshima120210_e/</link>
		<comments>http://mem-inc.jp/2012/01/31/toshima120210_e/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 10:31:09 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Exhibitions_English]]></category>

		<guid isPermaLink="false">http://mem-inc.jp/?p=2741</guid>
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<h2>Maki Toshima <em>&#8220;Meta.Morphos&#8221;</em></h2>
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Dates: February 10 &#8211; 26, 2012<br />
Venue: MEM <a href="http://mem-inc.jp/about-mem_e/">map</a><br />
open hours：12:00-20:00　closed on Mondays<br />
tel. 03-6459-3205</p>
<p><strong>Talk: Friday, February 10, 18:30-　Hide Nakaya × Maki Toshima<br />
Venue: MEM<br />
Free entry (30 person capacity)</strong><br />
*NADiff A/P/A/R/T Joint Opening 18:00-</p>
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		<title>Ken Kitano &#8220;our face project: Asia&#8221;</title>
		<link>http://mem-inc.jp/2011/11/23/111126_e-2/</link>
		<comments>http://mem-inc.jp/2011/11/23/111126_e-2/#comments</comments>
		<pubDate>Wed, 23 Nov 2011 03:30:19 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Exhibitions_English]]></category>

		<guid isPermaLink="false">http://mem-inc.jp/?p=2649</guid>
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<h2>Ken Kitano &#8220;our face project: Asia&#8221;</h2>
<p><span style="font-family: 'Times New Roman'; font-size: 15px; "></span><span style="font-family: 'Times New Roman'; font-size: 15px; ">November 26, 2011 &#8211; January 29, 2012<br />Open hours: 12:00 – 20:00  closed on Mondays</span><br />
Winter holidays: December 26 &#8211; January 6<br />
</span><br />
<br />
Features portraits from Ken Kitano&#8217;s &#8220;our face&#8221; series, taken in countries around the world and at work places, schools and places of worship. This time he will showcase those taken in Asia, including Japan. There will also be photographs from his series showing Mexican murals that he has been creating since 1997.<br />
<br />
Opening reception: November 26, Sat. 18:00-<br />
Talk: December 16, Fri. 18:30-  at MEM<br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Kaoru Kato (art critic) × Ken Kitano<br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Admission free</p>
<p>Ken Kitano will also participate in a group exhibition at Tokyo Metropolitan Museum of Photography to exhibit 7 pieces of our face in large size.<br />
<a href="http://syabi.com/e/contents/exhibition/index-1451.html"><strong>Contemporary Japanese Photography vol.10 ‒ elan photographic &#8211; </strong></a><br />
Period：December 10 (Sat) &#8211; January 29 (Sun)<br />
Venue：Tokyo Metropolitan Museum of Photography (Yebisu Garden Place, 1-13-3 Mita Meguro-ku Tokyo)<br />
Artists: KITANO Ken, SANO Yoichi , SOENO Kazuyuki, NISHINO Sohei, HARUKI Maiko</p>
<p><span style="font-family: 'Times New Roman';"><span style="font-size: 10pt;"><br />
MEM<br />
NADiff A/P/A/R/T 2F, 1-18-4, Ebisu, Shibuyaku, Tokyo 150-0013<br />
Tel. 03-6459-3205<br />
<span style="font-family: 'ヒラギノ角ゴ Pro W3'; color: #2d2d2d;"><span style="font-size: small;"><br />
</span></span></span></span></div>
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		<title>Iwata Nakayama Portfolio 2010</title>
		<link>http://mem-inc.jp/2011/10/04/20111008_exhibition_e/</link>
		<comments>http://mem-inc.jp/2011/10/04/20111008_exhibition_e/#comments</comments>
		<pubDate>Tue, 04 Oct 2011 08:57:05 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Exhibitions_English]]></category>

		<guid isPermaLink="false">http://mem-inc.jp/?p=2608</guid>
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<h2>Iwata Nakayama Portfolio 2010</h2>
<p><span style="font-family: 'Times New Roman'; font-size: 15px; "></span><span style="font-family: 'Times New Roman'; font-size: 15px; ">October 8, Sat. &#8211; November 20, Sun<br />Open hours: 12:00 – 20:00  closed on Mondays</span><br />
</span><br />
Iwata Nakayama (1895-1949) established the Lacan Studio in New York in the 1920s, and subsequently moved to Paris, where he developed close relationships with Leonard Foujita and a coterie of Futurist artists. Upon his return to Japan he moved to Ashiya, where he founded a camera club in 1930 that brought him much acclaim. Nakayama&#8217;s experiments with darkroom techniques using a variety of materials allowed him to create multi-layered images that left a lasting impact on the history of modern Japanese photography.<br />
This exhibition commemorates the publication of a portfolio of Nakayama&#8217;s work that was produced using dry photographic plates.</p>
<p>Lecture by Ryuichi Kaneko: October 8, Sat. 17:00-18:00 at MEM<br />
Opening reception: October 8, Sat. 18:00-<br />
<span style="font-family: 'Times New Roman';"><span style="font-size: 10pt;"><br />
MEM<br />
NADiff A/P/A/R/T 2F, 1-18-4, Ebisu, Shibuyaku, Tokyo 150-0013<br />
Tel. 03-6459-3205<br />
<span style="font-family: 'ヒラギノ角ゴ Pro W3'; color: #2d2d2d;"><span style="font-size: small;"><br />
</span></span></span></span></div>
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		<title>Hisaji Hara　&#8221;Picture, Photography and Beyond</title>
		<link>http://mem-inc.jp/2011/08/07/110903_e/</link>
		<comments>http://mem-inc.jp/2011/08/07/110903_e/#comments</comments>
		<pubDate>Sun, 07 Aug 2011 07:54:05 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Exhibitions_English]]></category>

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<h2>Hisaji Hara  &#8220;Picture, Photography and Beyond&#8221;</h2>
<p><span style="font-family: 'Times New Roman'; font-size: 15px; "></span><span style="font-family: 'Times New Roman'; font-size: 15px; ">September 3, Sat. &#8211; October 2, Sun<br />Open hours: 12:00 – 20:00  closed on Mondays</span></p>
<p>“Whether through photography or painting, ultimately, we are obliged to search within a subject for truth.”</p>
<p>In 2009, Hisaji Hara presented the series, A Photographic Portrayal of the Paintings of Balthus, bringing together these two modes of artistic expression. An important collection of works, including heretofore unexhibited still lifes, has been selected from this series for the current show. Hara has embraced the traditional process of albumen silver development, as well as more contemporary technology that converts digital data into inkjet prints. Works created through these contrasting methods are to inhabit the same space in this exhibit, allowing viewers to travel between the realms of painting and photography, the analog and the digital, thus engaging them in an exploration of many borders. </p>
<p></span></p>
<p><span style="font-family: 'Times New Roman';"><span style="font-size: 10pt;"><br />
MEM<br />
NADiff A/P/A/R/T 2F, 1-18-4, Ebisu, Shibuyaku, Tokyo 150-0013<br />
Tel. 03-6459-3205<br />
<span style="font-family: 'ヒラギノ角ゴ Pro W3'; color: #2d2d2d;"><span style="font-size: small;"><br />
</span></span></span></span></div>
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		<title>summer group show</title>
		<link>http://mem-inc.jp/2011/07/23/summer-group-show-2/</link>
		<comments>http://mem-inc.jp/2011/07/23/summer-group-show-2/#comments</comments>
		<pubDate>Sat, 23 Jul 2011 02:37:28 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Exhibitions_English]]></category>

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<h2 style="font-size: 1.5em;">summer group show</h2>
<p>July 23 -August 28<br />
Open hours: 12:00 &#8211; 20:00<br />
artists: Ken Kitano, Yoshihisa Kitatsuji, Yoshio Kitayama, Tomoko Sawada, Yasumasa Morimura, Lee Sun-Kyung<br />
Summer holidays: August 15 &#8211; 22</p></div>
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		<title>Yasue Kodama  &#8220;Deep Rhyme 2011 &#8211; watatsumi-&#8221;</title>
		<link>http://mem-inc.jp/2011/06/09/yasue-kodama-deep-thyme-2011-watatsumi/</link>
		<comments>http://mem-inc.jp/2011/06/09/yasue-kodama-deep-thyme-2011-watatsumi/#comments</comments>
		<pubDate>Thu, 09 Jun 2011 05:26:17 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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<h2>Yasue Kodama  &#8220;Deep Rhyme 2011 &#8211; watatsumi-&#8221;<br />
New Paintings</h2>
<p><span style="font-family: 'Times New Roman'; font-size: 15px; ">June 11, Sat. &#8211; July 17, Sun<br />
</span><span style="font-family: 'Times New Roman'; font-size: 15px; ">Open hours: 12:00 – 20:00  closed on Mondays</span></p>
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NADiff A/P/A/R/T 2F, 1-18-4, Ebisu, Shibuyaku, Tokyo 150-0013<br />
Tel. 03-6459-3205<br />
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		<title>Noriko Yamaguchi &#8220;TSUCHITARASHI&#8221;</title>
		<link>http://mem-inc.jp/2011/05/07/noriko-yamaguchi-tsuchitarashi/</link>
		<comments>http://mem-inc.jp/2011/05/07/noriko-yamaguchi-tsuchitarashi/#comments</comments>
		<pubDate>Sat, 07 May 2011 07:58:24 +0000</pubDate>
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<p><img class="alignleft size-thumbnail wp-image-2226" title="yamaguchi_1" src="http://mem-inc.jp/wordpress/wp-content/uploads/2011/05/yamaguchi_1-120x120.jpg" alt="yamaguchi_1" width="120" height="120" /></p>
<p style="width: 120px; font-size: 9px;">still image from &#8220;TSUCHITARASHI&#8221;</p>
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<h2 style="font-size: 1.5em;">Noriko Yamaguchi &#8220;TSUCHITARASHI&#8221;</h2>
<p><span style="font-family: 'Times New Roman'; font-size: 15px;">May 7 &#8211; June 5, 2011<br />
</span><span style="font-family: 'Times New Roman'; font-size: 15px;">Open hours: 12:00 – 20:00  closed on Mondays</span></p>
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NADiff A/P/A/R/T 2F, 1-18-4, Ebisu, Shibuyaku, Tokyo 150-0013<br />
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<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Times New Roman'; color: #313131;">&#8220;TSUCHITARASHI&#8221; features a two channel video installation by Noriko Yamaguchi, which consists of two kinds of clay animation: TSUCHITARASHI and RABBIT.</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Times New Roman'; color: #313131;">These videos show a transformation of human body into numerous little clay parts that are moving around a female body that are made from plaster based on Yamaguchi&#8217;s own body.</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Times New Roman'; color: #313131;">These videos make a grand story related to emotional state of human being, Yamaguchi says, &#8220;a woman wanted to make love with the earth remembering her beloved who had passed away.  The ground smelled death.  She feels muddy water running on her cheek, which feels like her lover&#8217;s saliva.  Her arms came off  and mud came from an open sore.  She felt great pain and orgasm.  Then, she realized everything was a creation in her brain.  Then, all the mud started coming back into her head.  <a href="http://mem-inc.jp/artists_e/yamaguchi_e" target="_self">&#8230;for more information about the artist</a></p>
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		<title>Chiyuki Sakagami &#8220;NATURALIS HISTORIA&#8221;</title>
		<link>http://mem-inc.jp/2011/03/25/chiyuki-sakagami-naturalis-historia-2/</link>
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		<pubDate>Fri, 25 Mar 2011 13:09:26 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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<p class="caption" style="width: 120px; font-size: 9px;">Butterflies from southern countries would be collected and stored in a box until they are decayed, ink on paper, 2010</p>
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<h2>Chiyuki Sakagami  &#8221;NATURALIS HISTORIA&#8221;</h2>
<p><span style="font-family: 'Times New Roman'; font-size: 15px; ">March 26 &#8211; April 22, 2011<br />
</span><span style="font-family: 'Times New Roman'; font-size: 15px; ">Open hours: 12:00 – 20:00  closed on Mondays</span></p>
<p><span style="font-family: 'Times New Roman';"><span style="font-size: 11pt;"><br />
MEM<br />
NADiff A/P/A/R/T 2F, 1-18-4, Ebisu, Shibuyaku, Tokyo 150-0013<br />
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<p><!--StartFragment--><span style="color: #2d2d2d;"><span style="font-size: xx-small;"><span style="font-family: 'ヒラギノ角ゴ Pro W3';"><span style="font-size: 9pt;">MEM is pleased to present </span></span></span></span><span style="font-size: x-small;"><span style="font-family: 'Times New Roman';"><span style="font-size: 10pt;"><em>Naturalis Historia</em></span></span></span><span style="font-family: 'Times New Roman';"><em><span style="font-size: xx-small;"><span style="font-size: 9pt;"> </span></span></em></span><span style="font-size: xx-small;"><span style="font-size: 9pt;"><span style="color: #2d2d2d;"><span style="font-family: 'ヒラギノ角ゴ Pro W3';">by Chiyuki Sakagami.  This is her first solo show since 2000.<br />
</span></span></span></span><span style="font-size: x-small;"><span style="font-family: 'Times New Roman';"><span style="font-size: 10pt;"><em>Naturalis Historia</em></span></span></span><span style="font-family: 'Times New Roman';"><em><span style="font-size: xx-small;"><span style="font-size: 9pt;"> </span></span></em></span><span style="font-size: xx-small;"><span style="font-size: 9pt;"><span style="color: #2d2d2d;"><span style="font-family: 'ヒラギノ角ゴ Pro W3';">includes 32 new works on paper by blue ink.  The drawings show various kinds of creatures, insects, and imaginary monsters.  Sakagami especially features birds which she personally admires.  In addition to the ink drawings, some watercolors and etchings will be added.<br />
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